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JanBěžíParkem píše:Moleek: Ok, svoji fotku mi pošli na mail. Dík

Alexi_Laiho píše:

bryan.cod píše:Custe, jakou krabku byste mi doporucili na styl Deftones, Rammstein?

Díky moc

ještě řekni co máš za kytaru ,snímače atd , je to taky docela důležitý

Nero píše:Za Axela, http://www.ibanez.co.jp/products/effect ... ies_id=101

modified Marshall 1959 SLP amplifier and Marshall 1960B 4x12 speaker cabinet (with Celestion Vintage 30s speakers), for the 1983 album Kill 'Em All.

For Ride the Lightning in 1984, Hetfield used an Ibanez Tube Screamer TS-9 overdrive pedal in combination with a Marshall JMP2203 amplifier, and Marshall 1960B speaker cabinets.

For the recording of 1986's Master of Puppets, he and Kirk Hammett bought a Mesa/Boogie MarkIIC+ amplifier, and slaved its preamp into his Marshall amplifier

Hetfield used a very similar process and equipment in 1988 for the recording of ...And Justice for All. He increased the tone by using Mesa/Boogie Studio and Quad preamps into Mesa/Boogie Strategy 400 poweramps

By 1990, along with the assistance of Bob Rock, Hetfield perfected the scooped-midrange studio tone that he had been seeking since 1983. He discovered that utilizing the midrange frequencies straight from a modified Marshall amplifier, layered over guitar tracks of his trusty Mesa/Boogie MarkIIC+ as well as the Mesa/Boogie MarkIV, plus an ADA MP-1 preamp and a Mesa/Boogie Strategy 400 poweramp, he would get a much thicker and richer tone. He enhanced the frequencies by enclosing his four Marshall 1960B speaker cabinets with foam walls and U-Haul blankets, and carefully phase-canceled particular frequencies with eight closely-positioned microphones and two ambient condenser microphones.

In 1995, Hetfield had altered his tone by introducing lower-midrange frequencies, via the Mesa/Boogie Triple Rectifier amplifier. He began to use the Mesa/Boogie TriAxis preamplifer and Mesa/Boogie Strategy 400 poweramp, as he would continue to use live and in the studio to the current day. He also played around with Marshall amplifiers and the "hi-fi sounding" Wizard Modern Classic amplifier. He used this setup for recording the 1996 album Load, the 1997 album ReLoad, and the 1998 cover-songs album Garage Inc.. Garage Inc. in particular is rather prominent in the use of the Wizard amp.

For the recording of 2003's St. Anger, Hetfield had altered his tone again. He used his "live rack" equipment which consists of Mesa/Boogie TriAxis preamps and Mesa/Boogie Strategy 400 poweramps, but also used Marshall amplifiers, the Wizard vintage/modern, and the Diezel VH4.

Hetfield is currently trialling the Krank Krankenstein and Revolution 1 amplifiers, along with his current rig of the Diezel VH4, Mesa/Boogie TriAxis preamp and Mesa/Boogie Strategy 400 poweramp, and Mesa/Boogie Triple Rectifier. He has also been seen using the Mesa/Boogie MarkIV amplifier in the studio.

bryan.cod píše:

Alexi_Laiho píše:

bryan.cod píše:Custe, jakou krabku byste mi doporucili na styl Deftones, Rammstein?

Díky moc

ještě řekni co máš za kytaru ,snímače atd , je to taky docela důležitý

No tak mam Ibanezku RG 321MH a snimače Infinity 3,4

noc33 píše:Objednej toto:

http://degiergitaarbouw.nl/webshop/prod ... ucts_id=61

kdybys to toho šel, taky bych něco objednal.